Our set

Our set

Friday, August 30, 2019

second half

SCENE V The magical wood. TITANIA lying asleep.
[Enter USR QUINCE, SNUG, BOTTOM, FLUTE, SNOUT, and STARVELING]
Music
Bottom surveys the area – very confident
 PUCK CLAPS HIS HANDS & EVERYONE FREEZES
Puck is watching invisible.
PUCK
All the world’s a stage & all the men & women merely players:   They have their exits & entrances: & one man – pointing at Bottom – in his time plays many parts.








Puck claps his hands & the actors unfreeze.


QUINCE
Here’s a marvelous place for our rehearsal, and we will do it in action as we will do it before the duke.


BOTTOM
Peter Quince-? There are things in this tragedy  of Pyramus and Thisby that will never please. To bring in a lion among ladies, is a most dreadful thing; for there   is not a more fearful wild-fowl than your lion living; and we ought to look to't.
All the mechanicals agree with Bottom, although no one is ever afraid of wild birds..

SNOUT
Therefore a prologue must tell he is not a lion.
All mechanicals agree. Bottom has an idea.

BOTTOM
The actor must speak from the lion’s neck, saying thus, --'Ladies,'-- I would entreat you,--not to fear, I am a man,   as others are.






They clap enthusiastically & Bottom takes the credit & a bow.

QUINCE
Then all is well. (He tries to silence everyone) But there is one hard thing. …(He holds up a finger)  Pyramus and Thisby meet by moonlight.


SNOUT
Doth the moon shine that night we play our play?


BOTTOM
Look in the almanac;
Starveling takes an almanac out of his pocket.

STARVELING
Yes, it doth shine that night.


QUINCE
We must have a wall for Pyramus and Thisby did talk through the chink of a wall.


SNOUT
What say you, Bottom?

(The mechanicals look toward Bottom as the authority).

BOTTOM
Some man must present Wall: and let him hold his fingers thus, and through that cranny shall Pyramus and Thisby whisper.
Bottom illustrates. [Enter PUCK behind USR]

QUINCE
Then all is well. Come, Rehearse your parts. Pyramus, you begin: and so every one according to his cue.


PUCK Puck in an aside to the audience
What hempen homespuns swagg’ring here, So near the cradle of the fairy queen? What, --a play! I'll be an auditor; An actor too, perhaps.
hempen homespuns= country bumpkins

auditor = official of accounts

QUINCE
Speak, Pyramus. Thisby, stand forth.


BOTTOM
Thisby, the flowers of odious savours sweet,--
Standing corrected – how does Bottom react?

QUINCE
Odours!


BOTTOM
 --odours savours sweet: So hath thy breath, my dearest Thisby dear. But hark, a voice! stay thou but here awhile, And by and by I will to thee appear.



(Bottom exits the stage L). very dramatically

PUCK
A stranger Pyramus than e'er played here.
Puck in an aside. Puck mimics Bottom as he mimicked Oberon.

FLUTE
Must I speak now?


QUINCE
Ay,; for you must understand he goes but to see a noise that he heard, and is to   come again.


FLUTE
Most radiant Pyramus.


QUINCE
Most radiant Pyramus.  (Quince speaks it higher)


FLUTE
Most radiant Pyramus.  I'll meet thee, Pyramus, at Ninny's tomb.
Quince takes his cane and prompts a  higher voice


(Bottom is practicing his next lines. He picks up the mirror that the fairy stole from the mortals and   admires himself in the mirror. Puck creeps up behind him and sprinkles flower   petals on him.  Bottom swats at the fairy flower petals on his back).


QUINCE
NINUS  (Quince speaks loudly) Pyramus enter: your cue is past;


BOTTOM
If I were fair, Thisby, I were only thine!(The mechanicals see him)
 [Re-enter PUCK, and BOTTOM with an ass's head]

FLUTE:
O monstrous! O strange!



QUINCE
We are haunted. Pray, masters! fly! Help!


FLUTE
O monstrous!


SNOUT
Help!


STARVELING
Pray Masters!


SNUG
We are haunted!
[Exeunt QUINCE, SNUG, FLUTE, SNOUT, and STARVELING screaming Fly! Help! USL]

PUCK
I'll follow you, I'll lead you about a round, Sometime a horse I'll be, sometime a hound and neigh, and bark at every turn. (Puck exits USL)
He neighs and barks, chasing the   mechanicals.

BOTTOM
 Why do they run? I see their knavery: this is to make an ass of me!  But I will not stir from this place, do what they can: I will walk up and down here, and I will sing, that they shall hear I am not afraid.







BOTTOM SINGS
They say life has its ups & downs
That really now is quite profound
I’d like to push the capstan round
But it’s pump me boys before we drown

Pump me boys, pump her dry
Down to hell and up to the sky
Bend your back and break your bones













He surprises himself by braying.

TITANIA [Awaking]
What angel wakes me from my flow’ry bed?


BOTTOM Sings the last line
We’re just a thousand miles from home. HEE HAW


TITANIA
I pray thee, gentle mortal, sing again: Mine ear is much enamour'd of thy note; So is mine eye enthrall’d to thy shape; … I love thee.


BOTTOM
Methinks, mistress, you should have little reason for that: and yet, to say the truth, reason and love keep little company together now-a-days.(Makes horse neighing sounds with lips compressed)


TITANIA
Thou art as wise as thou art beautiful.
[Enter PEASEBLOSSOM, COBWEB, MOTH, and MUSTARDSEED from behind bower]
Titania attempts to kiss him, and Bottom keeps talking.

BOTTOM
Not so, neither: but if I had wit enough,  I would get out of this wood.
Faeries wrap a cloth around him preventing him from fleeing.

TITANIA
Out of this wood do not desire to go: I love thee!



TITANIA

Come, wait upon him(faeries); lead him to my bower. Tie up my love's tongue bring him silently.
As Oberon sleeps, Puck approaches.


OBERON (The music has wakened him)  
I wonder if Titania be awaked;

PUCK Puck whispers into Oberon’s ear


OBERON
This falls out better than I could devise. (They both laugh) But hast thou yet latch'd the Louisiana lover's eyes With the love-juice, as I did bid thee do?
(The following speech is not understood, but is noise to announce Demetrius and Hermia’s entrance USR.DEMETRIUS I, pierced through the heart with your stern cruelty:Yet you, the murderer, look as bright, as clear,
As yonder Venus in her glimmering sphere.

PUCK
I took him sleeping,--,-- And the young woman by his side: That, when he waked, of force she must be eyed.
Puck is full of himself
Musicians play.
OBERON
Stand close.  This is the lover.


PUCK
This is the woman, but not this the man.
Puck & Oberon are invisible.

DEMETRIUS
There is no following her in this fierce vein: Here for a while I will remain. Bankrupt sleep doth sorrow owe:
[Lies down and sleeps]
Hermia exits.

OBERON
What hast thou done? Thou hast mistaken quite and laid the love-juice on some true-love's sight:


PUCK(Puck is humiliated)
Then fate o'er-rules, that, one man holding troth, A million fail, confounding oath on oath.


OBERON
Go swifter than the wind, and Helena look thou find: All fancy-sick she is with sighs of love.BEAT Bring her here: I'll charm Demetrius’s eyes against she do appear


PUCK
I go, I go; look how I go, Swifter than arrow from a bow.
(In Puck’s bumbling, falls and rises again smiling. Oberon shakes his head)
Musicians play. [Exit PUCK]

OBERON(Oberon drops the juice on Demetrius’s eyes)
Flower of this purple eye sink in apple of his eye. When thou wakest, if she be by, let her shine lovelight in thy eye

.(Almost caressingly, Oberon whispers next to Demetrius and Puck spoils the moment).

PUCK
Captain of our faerie band, Helena is here at hand and the youth, mistook by me, pleading for a lover's fee.

Musicians play. [Enter PUCK singing -Savez-vous planter les choux”]
PUCK, aside to the audience
Shall we their fond pageant see?  Lord, what fools these mortals be!



OBERON

Stand aside: the noise they make will cause Demetrius to awake.


PUCK
Then will two at once woo one? That must needs be sport alone!


LYSANDER
I had no judgment when to her I swore.


HELENA
You do advance your cunning. (She cannot believe he is going to such lengths to humiliate her) These vows are Hermia's:


DEMETRIUS [Awaking]
O Helena, goddess, divine! To what, my love, shall I compare thee?
(Demetrius reaches in to kiss her,   and Lysander, comes between them).

LYSANDER
No. Demetrius loves not you.


HELENA
Wherefore was I to this keene mockery borne?  
Lysander shakes his head no. [Re-enter HERMIA]
Musicians play.

HERMIA
Lysander, why unkindly didst thou leave me so?


LYSANDER
Why should I stay? Helena is my love!


HERMIA
You speak not as you think: it cannot be.


HELENA
Lo, she is one of this confederacy! To join with men in scorning your poor friend?
(Helena is amazed that Hermia is   in on the joke. The men are in the background arguing)

HERMIA
it seems that you scorn me.
Puck and Oberon watch the fracas with wonderment.


DEMETRIUS
Helena, I say I love thee more than he can do.

This may be implied and not said aloud.


LYSANDER
If thou say so, prove it.


DEMETRIUS
Quick, come!
(after you)

HERMIA
Lysander, what does this signify?


LYSANDER
Hang off, or I will shake thee from me like a serpent.
(Go ahead,Demetrius) (HERMIA throws her arms around LYSANDER)
Musicians play

HERMIA
Why are you grown so rude? Sweet love,--


LYSANDER
Thy love! Out, tawny Tartar, out! Out, hated potion, hence!
While Lysander is speaking to Hermia, Demetrius grabs Lysander again.


HERMIA
Do you not jest?


HELENA
Fie, fie! you counterfeit, you puppet, you!


HERMIA
Puppet?
(She stalks, circling then attacking Helena)

HELENA
I pray you, though you mock me, gentlemen, Let her not hurt me: (She runs between the men’s legs and falls as Hermia grabs her.) Let her not strike me.
Oberon and Puck grimace as the fight ensues.


LYSANDER
(to Helena) Be not afraid; she shall not harm thee

.(He jumps to grasp Helena, and Demetrius grabs Lysander, gaining his place, pushing Lysander to the back).

HELENA
Though she be but little, she is fierce
Demetrius holds Hermia back. Helena exits

LYSANDER
Now follow, if thou darest.


DEMETRIUS
Follow! Nay, I'll go with thee.
 [Exeunt LYSANDER and DEMETRIUS USL to different places to seek a stick to hit the other with]

HERMIA
 I am amazed, and know not what to say.
[Exeunt HERMIA USL]
Musicians play.

OBERON
This is thy negligence: still thou mistak’st, Or else committ'st thy knaveries willfully?
(Is this another mistake, or did you do it on purpose).

PUCK
Believe me, king of shadows, I mistook. And so far am I glad it so did sort --as this their jangling I esteem a sport.
(Lysander finds a stick and tests it, then slowly begins looking for Demetrius)
I’m enjoying this sport


OBERON
Thou see'st these lovers seek a place to fight: Robin, overcast the night; And lead these testy rivals so astray as one come not within another's way: Then crush this herb into Lysander's… Lysander’s eye (He makes sure that Puck understands); to take all error with his sight. When they next   wake, all this derision shall seem a dream.
Overcast the night – hide the moon








[Re-enter USL LYSANDER or he turns]








Puck sings -Savez-vous planter les choux”]
LYSANDER
Proud Demetrius? Speak thou now

 (Lysander strikes at air, barely missing Puck. PUCK moves behind and in front of him).

PUCK (Demetrius

Here, villain; drawn and ready. Where art thou?


LYSANDER
I will be with thee straight.

Puck plays the opposite lover so that both Lysander & Demetrius are confused.

PUCK (Demetrius)
Follow me, then, To plainer ground.

Flat playing field so we can fight better. (Lysander exits behind scrim on ship .Demetrius enters.

DEMETRIUS
Lysander! Speak again: Where dost thou hide thy head?
Demetrius is exhausted.

PUCK(Lysander)
Thou coward, art thou bragging to the stars and wilt not come? I'll whip thee with a rod:


DEMETRIUS
Lysander, speak again.
He yawns & falls asleep.

PUCK (LYSANDER)
Come, coward, follow my voice.


LYSANDER
The villain is much lighter-heeled than I! That fallen am I in dark uneven way and here will rest me.

Exhausted, Lysander sleeps.

PUCK

Ho, ho, ho! Come hither: I am here.
Helena enters on her last leg.

HELENA (She crawls in)
O weary night, O long and tedious night, Steal me awhile from mine own company.
. [Lies down and sleeps]

PUCK
Yet but three? Come one more; Two of both kinds make up four. Here she comes, curst and sad: Cupid is a knavish lad, Thus to make poor females mad.
[Re-enter HERMIA]

HERMIA
Never so weary, never so in woe, I can no further crawl, no further go.
(She lies down and sleeps)

PUCK
When thou wakest, Thou takest true delight in the sight of thy former lady's eye: and all shall be well.
He applies the flower to Lysander’s eyes.

SCENE VII The magical grove
Early the next morning


Song is Gentil coquelicot (Pretty Poppy) on Smithsonian website
Artists: Andre’ Claveau & Mathe’ Altery
Musicians play as FAERIES sing & dance


[Awakened TITANIA and BOTTOM; PEASEBLOSSOM, COBWEB, MOTH, MUSTARDSEED, and other FAERIES attending; OBERON & PUCK behind unseen]
Lovers are asleep


TITANIA

Sit thee down upon this flowery bed, While I thy amiable cheeks do coy, And stick musk-roses in thy sleek smooth head, And kiss thy fair large ears, my gentle joy.


BOTTOM
Scratch my head for methinks I am marvellous hairy about the face; and I am such a tender ass, if my hair do but tickle me, I must scratch.
He speaks to Peaseblossom who   complies

TITANIA
What, wilt thou hear some music, my sweet love?


BOTTOM
I have a reasonable good ear in music.


TITANIA
O, how I love thee! how I dote on thee!


BOTTOM
Let none of your people stir me: I have an exposition of sleep come upon me.
(Oberon watches solemnly)
[Titania & Bottom  sleeps] FAERIES sing Pretty Poppy

TITANIA
Sleep thou, and I will wind thee in my arms. FAERIES, begone, and be all ways away.
[Exeunt FAERIES around bower, singing softly]

OBERON
Welcome, good Robin. See'st thou this sweet sight? Her dotage now I do begin to pity: I will undo this hateful imperfection of her eyes: (Touches her eyes with the flower)
And, gentle Puck, (Puck takes the donkey ears off Bottom) May all to Athens back again repair And think no more of this night's accidentsBut as the fierce vexation of a dream (Puck leaves)USR (Oberon lies on her other side and caresses her causing her to wake)
Now, my Titania; wake you, my sweet queen.
Dotage – to dote upon

TITANIA
My Oberon! what visions have I seen! Methought I was enamour'd of an ass.
(She is startled as she sees Bottom)

Oberon:  
Come, my queen, take hands with me. And will to-morrow midnight solemnly Dance in Duke Theseus' house   triumphantly,
(They stroll among the lovers)(Oberon looks deeply into her eyes),

PUCK
Faery king, attend, and mark: I do hear the morning lark.

Faeries dance & Puck sings –giving Theseus & Hippolyta time to re-enter.



Egeus enters with Theseus & Hippolyta following.

EGEUS
My lord, this is my daughter here asleep; How comes this gentle concord to sleep by hate, and fear no enmity.
Egeus shouts to Theseus & Hippolyta who enter.

The couples awaken startled.

LYSANDER
My Lord, half sleep, half waking…Our intent was to be gone from Athens, where we might without the peril of the Athenian……



Egeus interrupts him angrily

EGEUS
Enough. My lord; I beg the law, the law, upon his head.
Demetrius stands in front of Lysander speaking to Theseus. Hermia stands next to Lysander as Helena stands with Demetrius. 

DEMETRIUS
My lord, The object and the pleasure of mine eye, Is only fair Helena. To her, my lord, was I betroth'd.
(Puck watches with amusement. Hippolyta takes Theseus slightly away, gestures and speaks, looking at the lovers.  Then Theseus, smiles and speaks)

THESEUS
Fair lovers, you are fortunately met: Of this discourse we more will hear anon. Egeus, in the temple by and by these couples shall eternally be knit:. Come, Hippolyta.
(The couples look at each other and smile)
Theseus tells Egeus it is settled.
Royalty exits as Bottom enters center stage
Musicians play.

BOTTOM [Awaking]
When my cue comes, call me, and I will answer: Heigh-ho! Peter Quince! Flute, Snout,! Starveling!They have stolen hence, and left me asleep!(He looks around puzzled, and picks up part of Titania’s Crown. He is visibly sad)  I have had a most rare vision. Me thought I was,--and me thought I had----





.
SCENE VIII that evening

[Enter QUINCE, FLUTE, SNOUT, and STARVELING]
Light changes to dusk. The moon is full
QUINCE:
Oh most happy hour!
Faeries ready the ceremony



The lovers are discoursing, and Hippolyta listens amused, yet mesmerized by the stories. Hippolyta kisses Hermia and Helena. The lovers are excited about being reunited and together.

HIPPOLYTA
'Tis strange my Theseus, the tale that these lovers speak of.


THESEUS
More strange than true: I never believe these fairy fantasies. Come now; what masques, what revels are in hand?
(Philostrate (PUCK) hands Theseus a paper and walks around keeping order, telling servants what to do, readying the stage). LYSANDER, DEMETRIUS, HERMIA, and HELENA move to find seats The players and Philostrate complete the stage. PHILOSTRATE (PUCK) winks at the audience.  Enter Quince with the script, Bottom as Pyramus, Flute as Thisby, Snout as the Wall, Starveling as Moonshine with a dog attached to his robe/pants, and Snug as the Lion. Behind stage, they are rehearsing, frightened, and say a brief prayer. They hear the trumpets and start.].


PHILOSTRATE
A tedious scene of young Pyramus & his love, Thisbe; very tragical mirth.


THESEUS
I will hear that play


PHILOSTRATE
If it please your grace.  The prologue approach.
[Enter QUINCE with the script as director][Enter Pyramus and Thisbe, Wall, Moonshine, and Lion]

QUINCE, bowing
If we offend, it is with our good   will, with good will To show our simple skill. 


SNOUT(with a casement on his head and a wall on his arms)
In this same interlude it doth befall that I, one Snout by name, present a wall; And such a wall,that had in it a crannied hole or chink,(grand gesture – chink)  through which the lovers, ….. through which the lovers.


QUINCE: (whispers calmly) Pyramus and Thisby Pyramus and Thisby


,(the lovers appear on each side of the wall tentatively, then disappear as if it is a wrong cue) (then shouts)

SNOUT
Pyramus and Thisby did whisper often very secretly.

(the lovers appear again) Quince continues to read the script. (Helena and Hermia laugh behind fans)[Enter Pyramus][Wall holds up his fingers] Pyramus over acts.

THESEUS (laughing)
Pyramus draws near the wall: silence!


PYRAMUS
grim-look'd nightO night with hue so black! O night, O night! (He steps with each alack) alack, ..alack, …alack, I fear my Thisby's promise is forgot! Thou wall, O wall, O sweet and lovely wall, Show me thy BEAT chink,…(he moves the chink to fit his eye) . to blink through with mine eyne!
Snout nods his head.
Philostrate rolls eyes
[Enter Thisbe]


PYRAMUS
 She is to enter now, and I am to spy her through the wall. You shall see, it will fall pat as I told you. Yonder she comes.
(He spies through the chink.  He moves the hand so abruptly that the casement falls off and Pyramus and Wall bump heads) (Speaking to audience)

THISBE(Left hand extended, right hand slaps breast)
O wall, full often hast thou heard my moans, For parting my fair Pyramus and me!


PYRAMUS(Cupped hands to chink)
I see a voice: now will I to the chink, to spy and I can hear my Thisby's face. Thisby!


THISBE
My love BEAT thou art, my love I think.


PYRAMUS
I am thy love; O kiss me through the hole of this vile wall!
WALL is overcome by emotion.

PYRAMUS and THISBE kiss


PYRAMUS

Wilt thou at Ninny's tomb



QUINCE

Ninus’ tomb



PYRAMUS

That’s Ninus’ tomb meet me straightway?



THISBE
I come without delay.
[Exeunt PYRAMUS and THISBE]

SNOUT
Thus have I, WALL, my part discharged so; And, being done, thus WALL away doth go.
[Exeunt WALL]

HIPPOLYTA
This is the silliest stuff that ever I heard.


THESEUS
Silence.  Here come two noble beasts in, a moon and a lion.
[Enter LION and MOONSHINE] Moonshine carries a lantern, bush, and has a dog attached to his boot.

LION
Ladies, you, whose gentle hearts do fear the smallest monstrous mouse that creeps on floor. (Takes his mask off to keep the women from being scared) Then know that I, Snug the joiner, have never been a real lion. ROAR






Hermia claps and Lion ROARS again.

THESEUS
A very gentle beast, of a good conscience. Let us listen to the moon.


STARVELING 
All that I have to say, is, to tell   you that the lantern is the moon; I, the man in the moon; this thorn-bush, my thorn-bush; and this dog, my dog.




[Enter THISBE]

HELENA (laughing) 
Silence! Here comes Thisbe.


THISBE
This is old Ninny's tomb.


QUINCE
 Ninus’ Ninus’
he eats the script

THISBE
This is old Ninus's tomb. Where is my love?


LION [Roaring]
Oh—ROAR!
[THISBE runs off Her scarf falls off.]

DEMETRIUS

Well roared, LION.

Next three lines may be cut

THESEUS
Well run, Thisbe.


HIPPOLYTA
Well shone, Moon.
[Enter PYRAMUS]

PYRAMUS
Sweet Moon, I thank thee for shining now so bright; DEEP BREATH But stay, O spite! What dreadful dole is here! How can it be? O dainty duck! O dear! Thy mantle stain'd with blood!




Enter FAERIES to watch.
[PYRAMUS stabs himself]


PYRAMUS
Thus die I, thus, thus, thus. The sword is in his armor and he lifts himself up on the sword.The audience claps. 
He rises and tries to put the sword horizontally through his armor. Quince believes he is dead and is shocked and perplexed that he is resurrected)  Now am I dead, Now am I fled; My soul is in the sky: Out, sword, and wound Pyramus  [Exit Moonshine] Now die, die, die, die, die.


THISBE Thisbe starts as a falsetto, but is carried away and actually becomes an actor.  The audience is deeply moved.
FALSETTO:Asleep, my love? What, dead, (realization of death, and he is caught in the moment and truly acts in his own voice) my dove? O Pyramus, arise! Speak. dead? Come, trusty sword; [Stabs herself] farewell, friends; Thus Thisby ends: Adieu, adieu, adieu.[Dies]
The audience does not know what to say. The women wipe away tears, then everyone claps  The actors are joyous, clapping backs..

Musicians play.
BOTTOM [Starting up]
Will it please you to see the epilogue?



THESEUS
No epilogue, I pray you; for your play needs no excuse. Never excuse; for when the players are all dead there needs none to be blamed.
Audience claps again. Actors congratulate each other again, then disperse to different areas of the stage.  Bottom goes DLS and takes out Titania’s crown, looks at it, smells it, and holds it to his breast.


THESEUS
The iron tongue of midnight hath told twelve: Lovers, to bed.

Musicians play Everyone freezes
PUCK
If we shadows have offended,
Think but this, and all is mended,
That you have but slumber'd here
while these visions did appear.
With silver moonbeams consecrate,
Mortals’ and FAERIES’ fantastical fate;
And from moss-laden honeyed bowers of dew
With good wishes, we Shadows bid you adieu
Puck takes off the man’s wig, fluffs out hair, curtsies, and laughs.
Adieu



Hippolyta and Theseus stand UCS.  Hermia and Lysander stand LCS; Helena and Demetrius stand RCS. FAERIES appear watching Bottom..

Philostrate  takes off disguise and is Puck.


March 1

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