Our set

Our set

Tuesday, May 21, 2019

VooDoo King

Papa Legba is a loa in Haitian Vodou, who serves as the intermediary between the loa and humanity. He stands at a spiritual crossroads and gives (or denies) permission to speak with the spirits of Guinee, and is believed to speak all human languages. In Haiti, he is the great elocutioner.

Loa (also spelled lwa) are the spirits of Haitian Vodou and Louisiana Voodoo. They are also referred to as "mystères" and "the invisibles" and are intermediaries between Bondye (from French Bon Dieu, meaning "good God")—the Supreme Creator, who is distant from the world—and humanity.

New Orleans

New Orleans Under Spanish Rule and the Louisiana Purchase

In 1762 and 1763 France signed treaties ceding Louisiana to Spain. For 40 years New Orleans was a Spanish city, trading heavily with Cuba and Mexicoand adopting the Spanish racial rules that allowed for a class of free people of color. The city was ravaged by fires in 1788 and 1794 and rebuilt in brick with buildings and a cathedral that still stand today.
In 1803 Louisiana reverted to the French, who sold it to the United States 20 days later in the Louisiana Purchase. The final battle of the War of 1812 was fought in defense of New Orleans; Colonel Andrew Jackson led a coalition of pirates, free blacks and Tennessee Volunteers to defeat a British force outside the city.

New Orleans in the 1800s

During the first half of the 19th century, New Orleans became the United States’ wealthiest and third-largest city. Its port shipped the produce of much of the nation’s interior to the Caribbean, South America and Europe. Thousands of slaves were sold in its markets, but its free black community thrived. Until 1830, the majority of its residents still spoke French.
Barataria Bay, inlet of the Gulf of Mexico, about 15 miles (24 km) long and 12 miles (19 km) wide, in southeastern Louisiana, U.S. Its entrance, largely blocked by Grand Isle and the Grand Terre Islands, is via a narrow Gulf channel navigable through connecting waterways into the Gulf Intracoastal Waterway system. The bay is indented and marshy with many islands. The surrounding low-lying Barataria Country, south of New Orleans and west of the Mississippi River delta, is noted for its shrimpindustry (based on villages built on pilings above the coastal marshes), muskrat trapping, natural gasand oil wells, and sulfur production. The area is sometimes called Laffite Country for Jean Laffite and his brother Pierre, who in 1810–14 organized a colony of pirates and smugglers around the Baratarian coast. The name Barataria is derived from the Spanish word meaning “to deceive.” Grand Isle, accessible from the west via a road bridge, is a resort community with a state park at its eastern end.

Baptiste Belleudy Well, actually, his name is Robin and he is a Puck, so in this setting of yours (New Orleans) a 'Puck' could be a way to call a Paperboy and he could be a smart, ageless, Gavroche-like one!


  • Kasee Clifton Laster Maybe you could play off French folklore? Not my area of expertise, but the trickster Reynard the Fox comes to mind, or the lutin (like a Scottish brownie).
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  • June Abernathy African folklore contains a lot of trickster characters and trickster stories, and many of those stories were brought over with slaves and retold and re-made in the new world. 
    Or, giving Puck a voodoo slant would be an interesting twist, also in keeping with the New Orleans vibe.
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  • Jane Windsor-Smith We played it that she/he was the offspring of Oberon and Titania - their are a couple of text references that make this theory fit. But there's so many possible interpretations
  • June Abernathy Many (most?) cultures have some kind of trickster character as part of their folklore. And whether that is a leprechaun or Reynard or Bugs Bunny, they share a lot of similarities. I think Puck is absolutely in that vein.
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  • Ronald Auther I would first ask, beyond the location, New Orleans, ... what period in history are you setting said play in, and that should help you with you Puck question. 

    New Orleans before the Revolutionary War, or after? 
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  • Cindy Rankin Couch Regency period when New Orleans was the capital
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    • Cindy Rankin Couch Regency period when New Orleans was the capital
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    • Jennifer Low I think you might be inspired by the handling of Puck in the 2018 film version of Midsummer directed by Casey Mott. The setting was also very specific to a state in the US.
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    • Paul Collins An Imp....mischevious
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    • Danielle Byington Maybe if you give him a cane and dress him like a top-hat 🎩 gentleman, that could avoid cultural appropriation of voodoo. Also, it sounds like the setting alone will carry a great deal of that culture/tone for you. Can you have mausoleums in your set design?
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      • Ronald Auther So we are talking about "The Crescent" into the New Orleans which had more Spanish influence than French?
      • Ronald Auther Cindy Rankin Couch Before 1763 then. if you are talking "French" in the sense of rule. 

        After 1763 it was Spanish, until 1803, and then after the Louisiana Purchase when LaFitte ran rampant in New Orleans. 


        By then, Spanish influence was deeply embedded in the New Orleans culture. which means Cuba, Haiti and Mexican culture were trading partners with New Orleans, and these cultures were also deeply embedded in New Orleans. 

        Criollos de Luisiana AKA Creole influence. 

        Even LaFitte himself was not a Fracophile, born either in Santo Domigo or Basque-France, which means even though he possessed a French surname, he operated like a Spanish pirate and privateer.

March 1

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